The Reading
A 90-minute deep-read of one project — script, reel, look book, or a scene that won’t come together. We open it, dissect it, rebuild it.
Mentoring is the inverse of a workshop. No syllabus, no group, no agenda but yours. We meet — in person, on set, or remote — and we look at your work the way a DoP looks at a script: line by line, image by image, intention by intention.
Three formats. One outcome: clarity about your visual voice.
A 90-minute deep-read of one project — script, reel, look book, or a scene that won’t come together. We open it, dissect it, rebuild it.
Twelve weeks. Six sessions. One project guided from concept through delivery — pre-production, dailies review, edit notes, grade sign-off.
Five days on an active production beside Andrés. You watch, you ask, you take notes. Then we debrief every evening. No theory — only set.
You’ve shot 2–10 projects. You can read a lightmeter — but you don’t yet read a script visually.
You want to speak the language of your cinematographer — without taking the camera out of their hands.
The diploma is on the wall. The first real budget is in front of you. We bridge the gap.
Photographers, editors, colourists moving into cinematography. We compress years of set time.
“Talent finds its own way.
Craft needs a witness.”
One paragraph about who you are, one paragraph about the project or the question, and a link to anything you’ve shot — even on your phone. I read every message myself and reply within a week.
Payment is by secure Stripe link, sent only once your place is confirmed.